Title | Edition | Year of Publication | Contributors | Country of Publication | Possible Copyright Status | Available Online? |
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The Aesthetics of Pianoforte-Playing | | 1907 | Adolf Kullak, Theodore Baker, Hans Bischoff | | | | | |
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Analyse des actes du virtuose | | 1923 | Raymond Thiberge | | | | | |
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Answers to the 101 questions suitable for candidates studying for the pianoforte teaching diplomas of the A. R. C. M., L. R. A. M., L. Mus: T. C. L., etc | | 1929 | James Ching | | | | | |
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The appreciation of music by means of the "pianola' and "duo-art' | | 1925 | Percy Alfred Scholes, Sir Alexander Mackenzie, Reginald Reynolds | | | | | |
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The appreciation of rare violins | [1st ed.] | 1945 | Pat Ballard | | | | | |
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The art of improvisation | | 1934 | Thomas Carl Whitmer | | | | | |
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The art of the pianist | | 1911 | Harriette Brower | | | | | |
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The artist at the piano | | 1910 | George Woodhouse | | | | | |
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Bewegungsphysiologische voraussetzungen zur technischen beherrschung der musikinstrumente und des gesangs und der weg | | 1927 | August Pestalozzi | | | | | |
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Beyond the baton | | 1939 | Rose. Malfitano | | | | | |
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The capture of inspiration | | 1935 | José Rodríguez, Merle Armitage, Elie Robert Schmitz | | | | | |
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The carillon in literature; a collection from various authors with some notes on the carillon art | | 1916 | William Gorham Rice | | | | | |
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Carillon music and singing towers of the Old world and the New | | 1925 | William Gorham Rice | | | | | |
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Carillons of Belgium and Holland; tower music in the Low Countries | | 1914 | William Gorham Rice | | | | | |
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Contributions to the art of music in America by the music industries of Boston, 1640 to 1936 | | 1937 | Christine Merrick Ayars | | | | | |
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Creative music for children | | 1922 | Satis N. (Satis Narrona) Coleman | | | | | |
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Cremona: eine Charakteristik der italienischen Geigenbauer und ihrer Instrumente | | 1928 | Wilhelm Altmann, Friedrich Niederheitmann | | | | | |
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Cremona violin technique | | 1937 | Justin Gilbert | | | | | |
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Das Atlantisbuch der Musik | | 1934 | Martin Hürlimann, Fred Hamel | | | | | |
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Das Cembalo: eine Geschichtliche und Technische Betractung der Kielinstrumente | | 1934 | Hanns Neupert, Helen I. Fisk | | | | | |
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Das seelenpflege-bedürftige kind | | 1930 | Theodor Storm, Ita. Wegman, Edmund Pracht | | | | | |
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Die individuelle Klaviertechnik auf der Grundlage des schöpferischen Klangwillens | | 1930 | C. A. Martienssen | | | | | |
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Die italienische Lira da braccio: Eine Kunst-historische Studie zur Geschichte der Violine, nebst einem Anhang mit Nachrichten über einige der ältesten Violenbauer | | 1892 | A. Hajdecki | | | | | |
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Die Kunst der Messung im Geigenbau | | 1937 | Max. Möckel | | | | | |
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Die Musikinstrumente und ihre Sprache | | 1924 | Adolf Aber | | | | | |
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Die natürliche Klaviertechnik | | 1912 | Rudolf M. (Rudolf Maria) Breithaupt | | | | | |
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Die natürlichen grundlagen der kunst des streichinstrumentspiels | | 1925 | Wilhelm Trendelenburg | | | | | |
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Die Orgelmusik in Thüringen in der Zeit zwischen 1830 und 1860; ein Beitrag zur Geschichte der Orgelmusik des 19. Jh. ... | | 1937 | Hans-Joachim Wagner | | | | | |
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Die registrierkunst des orgelspiels in ihren grundlegenden formen | | 1913 | Rudolf Rudolz | | | | | |
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Dizionarie del violinista | | 1924 | Nella de Angeli, Henri Vercheval | | | | | |
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An encyclopedia of the violin | | 1925 | Frederick Herman Martens, Eugene Ysaye, Alberto Bachmann | | | | | |
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Essai d'un dictionnaire universel des luthiers | | 1931 | René. Vannes | | | | | |
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Essai sur la technique du piano | | 1935 | Marie Rose Clouzot, Paul. Roës | | | | | |
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Famous violinists of to-day and yesterday | | 1925 | Henry Charles Lahee | | | | | |
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First lessons in extemporizing on the organ | | 1922 | H. C. (Hamilton Crawford) Macdougall | | | | | |
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Form in primitive music: an analytical and comparative study of the melodic form of some ancient southern California Indian songs | | 1933 | Helen Heffron Roberts | | | | | |
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Franz Liszt als Lehrer | | 1930 | Caroline Butini Boissier | | | | | |
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A gateway to music | | 1930 | Wilton Wallace Blancké, Jay Speck | | | | | |
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Geschichte der Musik in Bildern | | 1929 | Robert Haas, Hans Schnoor, Georg Kinsky | | | | | |
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The golden key to Cremona | | 1930 | Julius D. Horvath | | | | | |
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A history of music in pictures | | 1930 | Robert Haas, Hans Schnoor, Georg Kinsky | | | | | |
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How the piano came to be | | 1913 | Ellye Howell Glover | | | | | |
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How to enjoy music: a first aid to music listeners | | 1933 | Ethel R. (Ethel Rose) Peyser, Philip James | | | | | |
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How to play the piano | | 1922 | Mark Hambourg | | | | | |
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The International library of music for home and studio: music literature | | 1925 | | | | | | |
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The International library of music for home and studio | | 1925 | Charles Frederick Dennée, Nicholas De Vore | | | | | |
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The interpretation of piano music | | 1913 | Mary Venable | | | | | |
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L'esercizio tecnico al pianoforte nel nuovo metodo | | 1925 | Ermenegildo Paccagnella | | | | | |
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La musique d'orgue au xve siècle et au début du xvie Huit planches hors texte | | 1930 | Yvonne (Rihouët) Rokseth | | | | | |
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La musique des Incas et ses survivances | | 1926 | Raoul d'. Harcourt, Marguerite (Marguerite Béclard) d' Harcourt | | | | | |
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Le piano ami de l'enfant | | 1927 | | | | | | |
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Les secrets de la technique du piano révélés par le film | | 1933 | Louta Nouneberg | | | | | |
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Les spectacles à travers les âges: musique, danse | | 1932 | Jean Camp, Claude Berton, André Boll | | | | | |
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Les violonistes: compositeurs et virtuoses | | 1922 | Marc Pincherle | | | | | |
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Mind over muscle: a technical economy for pianists | | 1924 | Lillian Jeffreys Petri, Mrs Lillian (Jeffreys) Petri | | | | | |
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Modern masters of the keyboard | | 1926 | Harriette Brower | | | | | |
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Modern piano pedagogy: its scope | | 1936 | Frank J. Potamkin | | | | | |
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Musical engineering: an engineering treatment of the interrelated subjects of speech, music, musical instruments, acoustics, sound reproduction, and hearing | 1st ed. | 1952 | Harry Ferdinand Olson | | | | | |
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Musical instruments | | 1876 | Carl Engel | | | | | |
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Musical instruments and their music, 1500-1750 | | 1928 | Gerald R. (Gerald Ravenscourt) Hayes | | | | | |
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Musical instruments: third year of a study course in music understanding, adopted by the National Federation of Music Clubs | | 1925 | Edgar Stillman Kelley | | | | | |
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Musical secrets | | 1936 | Lilias Mackinnon | | | | | |
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Musik für dich: ratgeber für musikfreunde und rundfunkhörer | | 1934 | Fritz Bose | | | | | |
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Musikerziehung durch den klavierunterricht: eine wegleitung zu musikalischer bildung | | 1925 | | | | | | |
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Notes on the piano | | 1963 | Ernst Bacon | | | | | |
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Old Fogy: his musical opinions and grotesques | | 1913 | James Huneker | | | | | |
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The orchestra and its instruments | | 1917 | Esther Singleton | | | | | |
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Orchestral bowings and routines | 2nd. ed., rev. and enl. | 1957 | Elizabeth A. H. Green | | | | | |
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Orchestral instruments and their use | New rev. ed. | 1923 | Arthur Elson | | | | | |
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The organ and its masters: an account of the organists of former days, as well as some of the prominent virtuosi of the present, with a brief sketch of the development of organ construction | New rev. ed. | 1927 | Henry Charles Lahee | | | | | |
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The organ as musical medium | | 1962 | John T. Fesperman | | | | | |
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The organ, composers and literature | | 1927 | David Eric Berg | | | | | |
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Organ registration: a comprehensive treatise on the distinctive quality of tone of organ stops, the acoustical and musical effect of combining individual stops, and the selection of stops and combinations for the various phases of organ compositions; together with suggested registration for one hundred organ compositions, hymns, and anthems intended to be played on specific organs | | 1919 | Everett Ellsworth Truette | | | | | |
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Oxford piano course teacher's manual | | 1932 | Osbourne McConathy, Charles John Haake, Gail Martin Haake | | | | | |
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The pianist's mechanism: a guide to the production and transmission of power in playing | | 1929 | Abby. Whiteside | | | | | |
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Piano instruction in the schools: a report and interpretation of a national survey | | 1949 | William R. (William Raymond) Sur | | | | | |
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Piano mastery; talks with master pianists and teachers | | 1915 | Harriette Brower | | | | | |
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Piano music: its composers and characteristics | | 1925 | Clarence G. (Clarence Grant) Hamilton | | | | | |
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Piano playing, with Piano questions answered | | 1920 | Josef Hofmann | | | | | |
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Pianos and their makers | | 1911 | Alfred Dolge | | | | | |
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Practical orchestration | | 1929 | Arthur Olaf Andersen | | | | | |
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Practical pictorial guide to mechanisms and machines | | 1956 | Simon S. Palestrant | | | | | |
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Praktische harmonielehre für gitarrespieler | | 1925 | Egon Stuart Willfort | | | | | |
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The psychology of piano teaching: a text book for teachers, students, and parents | [New & rev. ed.] | 1957 | John F. (John Franklin) Carré | | | | | |
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The repairing & restoration of violins | | 1903 | Horace Petherick, Horace Petherick | | | | | |
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Rhythmus und anschlag: die lehre des klavierspiels auf der grundlage der natürlichen bewegung | | 1933 | Rudolf Bode | | | | | |
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The riddle of the pianist's finger and its relationship to a touch-scheme | | 1936 | Arnold Schultz | | | | | |
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School of Organ Playing: Based Upon the Course of Instruction of the Schola Cantorum, Paris | | 1921 | Edward Shippen Barnes | | | | | |
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The shortest way to pianistic perfection | | 1932 | Walter Gieseking, Karl Leimer | | | | | |
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A simple treatise on scales and arpeggios for piano | | 1920 | Benedict Bantly | | | | | |
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The æsthetics of pianoforte-playing | | 1893 | Adolf Kullak, Hans Bischoff, Theodore Baker | | | | | |
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Stråkharpan: en studie i nordisk instrumenthistoria | | 1924 | Otto Emanuel Andersson | | | | | |
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Systematic organ pedal technique and general interpretation | | 1936 | | | | | | |
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Technique d'interprétation sous forme d'essai d'analyse psychologique expérimentale: appliquée aux sonates pour piano et violon de Beethoven | | 1926 | Elie Poirée, Marcel Herwegh | | | | | |
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The temple of tone: a disquisition on the scientific and artistic tonal appointment and control of concert-room, church, and theater organs, according to the advanced system of compound tonal flexibility and expression, with complete specifications | | 1925 | George Ashdown Audsley, T. Scott (Thomas Scott) Buhrman | | | | | |
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The true function of relaxation in piano playing: a treatise on the psycho-physical aspect of piano playing, with exercises for acquiring relaxation | | 1922 | Le Roy B. Campbell | | | | | |
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Unsere Musikinstrumente; eine Einführung in ihre Geschichte | | 1922 | Ritter von Julius Schlosser | | | | | |
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The violin, 'cello and string quartet | | 1927 | Paul Stoeving | | | | | |
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The violin concerto through a period of nearly 300 years: covering about 3300 concertos, with brief biographies of 1000 composers | | 1928 | Frederic Barclay Emery | | | | | |
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The violin: its famous makers and players | | 1928 | Paul Stoeving | | | | | |
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Violin making | 2d ed. | 1909 | Walter H. (Walter Henry) Mayson, Walter Henry Mayson, Stransfield Mayson | | | | | |
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Violin master works and their interpretation | | 1925 | Frederick H. Martens, Leopold Auer | | | | | |
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Violin mastery: talks with master violinists and teachers, comprising interviews with Ysaye, Kreisler, Elman, Auer, Thibaud, Heifetz, Hartmann, Maud Powell and others | | 1919 | Frederick Herman Martens | | | | | |
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Violin tone and violin makers | | 1916 | Hidalgo Moya, Towry Piper | | | | | |
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The violinist's encyclopedic dictionary: containing the explanation of more than 4,500 words, phrases, signs, references, etc., foreign as well as English, used in the study of the violin and also by string players, orchestra directors and players generally. With a list of important composers of violin music, and of old violin makers, as well as bow makers, also rules for pronunciation of foreign terms | | 1928 | Frederic Barclay Emery | | | | | |
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The visible and invisible in pianoforte technique: being a digest of the author's technical teachings up to date | | 1932 | Tobias Matthay | | | | | |
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Vom musikstab zum modernen Klavier: eine Entwicklungs-Geschichte der Klavierinstrumente | | 1926 | Hanns Neupert | | | | | |
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Von der poesie des klavierspiels | [2. veràˆnderte aufl.] | 1911 | Josef Pembaur | | | | | |
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What every piano pupil should know: a manuel for piano students | | 1928 | Clarence G. (Clarence Grant) Hamilton | | | | | |
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What makes an orchestra | | 1951 | Jan B. Balet | | | | | |
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Who's who in the orchestra | | 1927 | Sir Paul Dukes | | | | | |
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