Title | Edition | Year of Publication | Contributors | Country of Publication | Possible Copyright Status | Available Online? |
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Abrégé de la Théorie de la musique | | 1935 | Charles Kœchlin | | | | | |
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Abrégé de la théorie des principes fondamentaux de la musique moderne | 2. éd. | 1914 | Albert Lavignac | | | | | |
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Abridgement of the Musical theory | | 1913 | S. M., in religion Sister M. de St. Mathieu Marie Mélina Marcouiller | | | | | |
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Abriss der Musikästhetik | | 1930 | Georg Anschütz | | | | | |
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Acoustics of music | | 1942 | Wilmer T. (Wilmer Tillett) Bartholomew | | | | | |
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Across the little space | | 1933 | Francesca Falk Miller | | | | | |
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Adelaïde: Beethovens Abschied vom Rhein | | 1936 | Josef Winckler | | | | | |
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Adlereinsam: Erzählungen un Beethoven | | 1930 | Hans Watzlik | | | | | |
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The administration of school instrument music: a handbook for the beginning teacher and the teacher in training | | 1952 | Nilo W. Hovey | | | | | |
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Adolescent voice ranges and materials published for adolescent voices: a study of the voice ranges of the boys and girls of the Eugene, Oregon junior high schools and of the suitability of some of the materials published for those voices | | 1942 | Lovisa Youngs Ayres, Kenneth Roduner | | | | | |
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Aesthetic measure | | 1933 | George David Birkhoff | | | | | |
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The Aesthetics of Pianoforte-Playing | | 1907 | Adolf Kullak, Theodore Baker, Hans Bischoff | | | | | |
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Akustik | | 1925 | Karl Erich Schumann | | | | | |
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Akustik | | 1927 | Ferdinand Trendelenburg | | | | | |
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Alcestis: A Musical Novel | | 1899 | Blanche Warre Cornish | | | | | |
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Allgemeine Musiklehre als Vorschule für das Studium der Harmonielehre, des Kontrapunktes, der Formen- und Instrumentationslehre | | 1924 | Hermann Grabner | | | | | |
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The ambitious listener | | 1929 | Leo Rich Lewis | | | | | |
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American ballads and folk songs | | 1934 | Harold William Thompson, John A. (John Avery) Lomax, Alan Lomax | | | | | |
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American composers: a study of the music of this country, and of its future | | 1914 | Arthur Elson, Rupert Hughes | | | | | |
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The American history and encyclopedia of music | | 1908 | Arthur Foote, George Whitfield Andrews, Edward Dickinson | | | | | |
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American Indian dance steps | | 1931 | Frederick Webb Hodge, Bessie Evans, May Garrettson Evans | | | | | |
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The American Indians and their music | | 1926 | Frances Densmore | | | | | |
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The American play-party song: with a collection of Oklahoma texts and tunes | | 1937 | Benjamin Albert Botkin | | | | | |
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The American rhythm | | 1930 | Mary Hunter Austin | | | | | |
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The American symphony orchestra: a social history of musical taste | | 1951 | John Henry Mueller | | | | | |
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The analysis of form in music | | 1919 | Friedrich J. (Friedrich Johann) Lehmann | | | | | |
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Analysis of the study of music literature in selected American colleges | | 1950 | Elizabeth E. (Elizabeth Ellen) Kaho | | | | | |
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The anatomy of music | | 1930 | Winthrop Parkhurst | | | | | |
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Answers to the 101 questions suitable for candidates studying for the pianoforte teaching diplomas of the A. R. C. M., L. R. A. M., L. Mus: T. C. L., etc | | 1929 | James Ching | | | | | |
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Antheil and the Treatise on harmony: with supplementary notes | | 1927 | Ezra Pound, William Atheling | | | | | |
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Anton Bruckner: ein Beitrag zur Erkenntnis von Entwickelungen in der Musik | | 1935 | Erich Schwebsch | | | | | |
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Applied harmony | | 1930 | C. A. (Carrie Adelaide) Alchin, Vincent Jones | | | | | |
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Applied harmony | | 1935 | C. A. (Carrie Adelaide) Alchin, Vincent Jones | | | | | |
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The appreciation of music | | 1927 | Roy Dickinson Welch | | | | | |
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The appreciation of music by means of the duo-art | | 1926 | Percy Alfred Scholes, Franklin Dunham | | | | | |
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The appreciation of music by means of the "pianola' and "duo-art' | | 1925 | Percy Alfred Scholes, Sir Alexander Mackenzie, Reginald Reynolds | | | | | |
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The appreciation of music series, vol. IV: Music as a humanity, and other essays | | 1921 | Daniel Gregory Mason | | | | | |
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The appreciation of music series, vol. V: A guide to music for beginners and others | | 1925 | Daniel Gregory Mason | | | | | |
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The appreciation of music: ten talks on musical form | | 1928 | Mrs Grace Gridley Wilm | | | | | |
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The appreciation of music, vol. III: Short studies of great masterpieces; | | 1918 | Daniel Gregory Mason | | | | | |
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Appreciation of music | | 1928 | Frank Stewart Howes | | | | | |
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The appreciation of music | | 1916 | Mary L. Mason, Daniel Gregory Mason | | | | | |
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Appunti di statistica musicale. | | 1936 | Salvatore Fassi | | | | | |
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Around the world in song | | 1930 | Dorothy (Lerner) Gordon | | | | | |
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Arranging for the modern dance orchestra | | 1926 | Arthur Lange | | | | | |
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The art of enjoying music | | 1933 | Sigmund Gottfried Spaeth | | | | | |
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The art of enjoying music | | 1942 | Sigmund Gottfried Spaeth | | | | | |
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The art of listening | | 1927 | David Eric Berg | | | | | |
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The art-music readers | | 1916 | Elizabeth Schneider, Frederic H. (Frederic Herbert) Ripley | | | | | |
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Art-song in America: a study in the development of American music | | 1930 | William Treat Upton | | | | | |
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Arte e fisiologia del canto | | 1876 | E. (Enrico) Delle Sedie, Enrico delle Sedie | | | | | |
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The artist at the piano | | 1910 | George Woodhouse | | | | | |
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Auf dem Wege zur Musik: eine Buchreihe | | 1926 | Walter Howard | | | | | |
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Auf flügeln des gesanges; ein musikalischer Büchmann | | 1920 | Max Steinitzer | | | | | |
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Aufgaben und ziele der rhythmischen gymnastik | | 1933 | Rudolf Bode, Honoré de Balzac | | | | | |
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Ausgewählte aufsätze zur musikgeschichte | | 1921 | Adolf Sandberger | | | | | |
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Authentic voice production | | 1930 | W. Warren (William Warren) Shaw, Paul Kempf | | | | | |
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Autres petits côtés amusants de la vie musicale | | 1932 | Arthur Dandelot | | | | | |
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Baker's biographical dictionary of musicians | 3rd ed., rev. and enl. / | 1919 | Theodore Baker | | | | | |
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Balladen | | 1935 | John Meier | | | | | |
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Ballads and songs of the shanty-boy | | 1926 | Franz Rickaby | | | | | |
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The band's music | First edition. | 1938 | Richard Franko Goldman | | | | | |
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The bandeet maestro | | 1935 | Warren Edward Boyer | | | | | |
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Bausteine zum schulgesangunterrichte im sinne der tonwortmethode | | 1911 | Carl Andreas Eitz | | | | | |
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Beast, bird and fish: an animal alphabet | | 1933 | Elizabeth Morrow, René d' Harnoncourt, Eberhard d'. Harnoncourt | | | | | |
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The beautiful in music | | 1928 | Max Schoen | | | | | |
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Bedouins; Mary Garden | | 1920 | James Huneker | | | | | |
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Beethoven: a biographical romance | | 1908 | S. E. Randolph, Heribert Rau | | | | | |
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Beethoven: novellen und verse aus seinem mythos | | 1930 | Erich Worbs | | | | | |
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Beethovens unsterbliche Geliebte: der Roman seines Lebens, Liebens und Leidens | | 1926 | Joseph Aug. (Joseph August) Lux | | | | | |
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Beitrag zur harmonielehre: mit einem ergänzenden beispiel-und einem übungsheft | | 1931 | Wilhelm Maler | | | | | |
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Belcanto: der lückenlose Weg zur altitalienischen Gesangstechnik : ein Wegweiser für Lernende, Lehrende und Dirigenten | | 1933 | Hjalmar Arlberg | | | | | |
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Über die art, musik zu hören: ein vortrag, gehalten in der Deutschen gesellschaft 1914 zu Berlin | | 1926 | Siegfried Ochs | | | | | |
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Berufs-krankheiten des Musikers: ein Leitfaden der Berufsberatung für Musiker, Musikpädagogen, Ärzte und Eltern | | 1925 | Julius Flesch | | | | | |
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Better music in our churches | | 1923 | John Mann. Walker, Wilbur P. Thirkield | | | | | |
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Bewegungsphysiologische voraussetzungen zur technischen beherrschung der musikinstrumente und des gesangs und der weg | | 1927 | August Pestalozzi | | | | | |
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Bilder aus der deutschen Musik-Kritik: kritische Kämpfe in zwei Jahrhunderten | | 1936 | Fritz Stege | | | | | |
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A birthday greeting and other songs | | 1918 | Emily Mies Huyck, Emily Niles Huyck, Helen Damrosch Tee-Van | | | | | |
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Blrd: a musical fantasy | | 1914 | Kate Douglas Smith Wiggin | | | | | |
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Black Bohemia, or, Darkydom : an act depicting life as seen in the Negro cafes and rathskellers around New York City | | 1911 | Will Marion Cook, Alex Rogers | | | | | |
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A book of lullabies | | 1925 | | | | | | |
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The book of musical documents | | 1948 | Paul Nettl | | | | | |
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The book of musical knowledge: the history, technique, and appreciation of music, together with lives of the great composers, for music-lovers, students and teachers | | 1927 | Arthur Elson | | | | | |
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The book of musical knowledge: the history, technique, and appreciation of music, together with lives of the great composers, for music-lovers, students and teachers | | 1915 | Arthur Elson | | | | | |
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The book of the great musicians; a course in appreciation for young readers | | 1920 | Percy Alfred Scholes | | | | | |
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A book of the symphony | | 1937 | B. H. (Bernard H.) Haggin | | | | | |
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Breves estudios musicales | | 1929 | Oscar Wegelin, José. Calero | | | | | |
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By way of art: criticisms of music, literature, painting, sculpture, and the dance | | 1928 | Paul Rosenfeld | | | | | |
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Byzantinische musik | | 1927 | Egon Wellesz | | | | | |
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Cameos of musical history | | 1937 | S. (Stewart) Macpherson | | | | | |
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Cancionero musical | | 1930 | H. E. Ford, K. K. Hicks | | | | | |
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Caruso's method of voice production | | 1922 | P. Mario (Pasqual Mario) Marafioti, Victor Maurel | | | | | |
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Carusos technik in deutscher erklärung | | 1922 | Paul Bruns | | | | | |
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Catalogue du fonds de musique ancienne de la Bibliothèque nationale | | 1910 | Jules Ecorcheville | | | | | |
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Chamber music in American schools | | 1933 | Charles William Hughes | | | | | |
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Chansons populaires des Pyrénées Françaises | | 1927 | Jean Poueigh | | | | | |
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Cherubin: musikalische Novellen | | 1929 | Anna Charlotte Wutzky | | | | | |
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Chez les musiciens (du xviiie siècle à nos jours) | | 1922 | Adolphe Boschot | | | | | |
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The child's garden of verses: the thirteenth bubble book | | 1922 | Burges Johnson, Rhoda Chase, Ralph Mayhew | | | | | |
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The chimney corner: the fourteenth bubble book | | 1922 | Burges Johnson, Rhoda Chase, Ralph Mayhew | | | | | |
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Chinese music | | 1944 | H. T. (Harry Titterton) Morgan | | | | | |
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The choirtrainer's art | | 1914 | Alfred Madeley Richardson | | | | | |
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Choral music and its practice: with particular reference to a cappella music | | 1932 | Noble Cain | | | | | |
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Choral music and the oratorio | | 1927 | David Eric Berg | | | | | |
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College and university bands: their organization and administration | | 1929 | La Verne Buckton | | | | | |
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College music: an investigation for the Association of American Colleges | | 1935 | Ernest Hatch Wilkins, Douglas Moore, Robert L. Kelly | | | | | |
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The Columbia book of musical masterworks | | 1947 | Goddard Lieberson | | | | | |
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Compendio de la teoría de los principios fundamentos de la música moderna | 2. ed., rev., corr. y aum. | 1914 | Felipe Pedrell, Albert Lavignac | | | | | |
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Compendio di storia della musica per uso comune e specialmente dei maestri elementari e degl'insegnanti e alunni degl'instituti magistrali e delle altre scuole medie | | 1930 | Luigi Neretti | | | | | |
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The compleat teacher | | 1932 | Arthur Somervell | | | | | |
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Composers of today | | 1934 | David Ewen | | | | | |
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The concert: a sonnet of sonnets | | 1934 | George Seibel, Jeannette C. Shirk, T. Carl (Thomas Carl) Whitmer | | | | | |
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The concise encyclopedia of music and musicians | 1st ed.] | 1958 | Martin Cooper | | | | | |
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Constructive harmony and improvisation | | 1927 | Clare Osborne Reed, Mrs Clare (Osborne) Reed | | | | | |
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The contrapuntal harmonic technique of the 18th century | | 1947 | Allen Irvine McHose | | | | | |
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Contributions to the art of music in America by the music industries of Boston, 1640 to 1936 | | 1937 | Christine Merrick Ayars | | | | | |
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The country dance book: the old-fashioned square dance, its history, lore, variations & its callers | | 1937 | Ralph Page, Beth. Tolman | | | | | |
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Cours d'interprétation | | 1934 | Alfred Cortot, Jeanne Thieffry | | | | | |
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Cours de grammaire musicale | | 1925 | Auguste Sérieyx | | | | | |
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Creative music for children | | 1922 | Satis N. (Satis Narrona) Coleman | | | | | |
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Critiques littéraires | | 1936 | Jean Fréville, Paul Lafargue | | | | | |
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Écrivains et artistes romantiques | | 1929 | Camille Mauclair, Théophile Gautier | | | | | |
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Cumulative harmony | | 1928 | William Johnston McCoy | | | | | |
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Cumulative harmony | | 1916 | William J. (William Johnston) McCoy | | | | | |
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Curiosities of music | | 1908 | Louis Charles Elson | | | | | |
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Définitions de la théorie musicale | | 1934 | Jeanne Dujoncquoy, Marie Dujoncquoy | | | | | |
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Das Atlantisbuch der Musik | | 1934 | Martin Hürlimann, Fred Hamel | | | | | |
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Das Konzert: ein Führer durch die Geschichte des Musizierens in Bildern und Melodien | | 1925 | Kathi Meyer-Baer | | | | | |
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Das musikalische Hören auf psychologischer Grundlage | | 1925 | Fritz Reuter | | | | | |
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Das neue musiklexikon: nach dem Dictionary of modern music and musicians | | 1926 | A. Eaglefield (Arthur Eaglefield) Hull, Alfred Einstein | | | | | |
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Das rätsel der musik | | 1922 | Oskar Bie | | | | | |
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Das reich deutscher volks-dichtung: marchen, sage, legende, zauberspruch, segen ratsel und volkslied | | 1935 | Friedrich von der Leyen | | | | | |
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Das schaffende kind in der musik | | 1928 | Fritz Jöde | | | | | |
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Das stillvergnügte Streichquartett | | 1936 | Bruno Aulich, Ernst Heimeran | | | | | |
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Das tonwort | | 1928 | Carl Andreas Eitz, Frank Bennedik | | | | | |
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Das Wesen des Klavierklanges und seine Beziehungen zum Anschlag: eine akustisch-ästhetische Untersuchung für Unterricht und Haus dargeboten, mit 120 Abbildungen | | 1911 | Ludwig Riemann | | | | | |
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David and destiny | | 1934 | Ian. Hay | | | | | |
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De Gaby Deslys à Mistinguett | | 1932 | Jacques Charles | | | | | |
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Den svenska musikforskningen, 1750-1900 | | 1929 | Sten. Broman | | | | | |
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Der Dämon: eine Erzählung aus dem Leben Hugo Wolfs | | 1930 | Josef Marschall | | | | | |
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Der doppelgänger: neun neue Beethoven-Novellen | | 1929 | Arthur Schurig | | | | | |
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Der Freischützroman: Roman des deutschen Musikers | | 1934 | Anna Charlotte Wutzky | | | | | |
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Der junge Beethoven | | 1927 | Felix Huch | | | | | |
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Der klingende garten | | 1933 | Gustav Moissl | | | | | |
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Der klingende grundstein; das schicksal der deutschen barockmusik in zwölf erzählungen. | | 1937 | Hans Joachim Moser | | | | | |
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Der Operndarsteller: Lehrgang zur musikalischen Darstellung in der Oper | | 1932 | Alexander d'. Arnals | | | | | |
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Der Sieg der Melodie: ein Puccini-Caruso-Roman | | 1935 | Max. Kronberg | | | | | |
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Der spielmann Gottes: ein Mozart-roman | | 1932 | Anton Mayer | | | | | |
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Der Thomaskantor: Introduktion, Toccata und Fuga über B-A-C-H | | 1937 | L. G. (Luise George) Bachmann | | | | | |
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Der weg in den morgen, C. M. v. Webers jugendroman | | 1927 | Emil Maxis | | | | | |
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Des Deutschen vaterland | | 1934 | Hermann Stegemann, Wahrhold Drascher, baron von. Waldemar Dazur | | | | | |
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Deutsche Musikkunde | | 1935 | Ernst Bücken | | | | | |
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Deutsche Tondichter von Sebastian Bach bis auf die Gegenwart. Vorträge, gehalten im Wintersemester von 1870 auf 1871, an dem ... Victoria-lyceum zu Berlin | | 1871 | Emil Naumann | | | | | |
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Development of rhythm in young children | | 1935 | Arthur T. (Arthur Thomas) Jersild, Mrs Sylvia Feldman Bienstock | | | | | |
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Die altitalienische gesangsmethode: die schule des belcanto | | 1933 | Bernhard Ulrich | | | | | |
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Die bürgerliche musikkultur | | 1935 | Eberhard Preussner | | | | | |
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Die Beethoven-feier und die Kunst der Gegenwart. Eine Erinnerungsgabe | | 1871 | Ludwig Nohl | | | | | |
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Die deutsche Soldatenkunde | | 1937 | Otto. Grossmann, Bernhard Schwertfeger, Erich Otto Volkmann | | | | | |
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Die Entgötterung der Musik | | 1927 | Adolf Weissmann | | | | | |
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Die erziehung der stimme und atmung durch artikulation der konsonanten und biegung der vokale | | 1913 | Olga. Cassius | | | | | |
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Die Farblichtmusik | | 1925 | Alexander László | | | | | |
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Die Grammatik des Singens: theoretisch-praktische Stimmbildungslehre | | 1929 | Tona. Hermann | | | | | |
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Die grundelemente der eurythmie | | 1928 | Annemarie Dubach-Donath | | | | | |
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Die Grundlagen der Musik | | 1911 | Felix Auerbach | | | | | |
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Die Grundlagen der Musik: Einführung in ihre mathematisch-physikalischen und physiologisch-psychologischen Bedingungen | | 1927 | Illo. Peters | | | | | |
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Die individuelle Klaviertechnik auf der Grundlage des schöpferischen Klangwillens | | 1930 | C. A. Martienssen | | | | | |
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Die Königsbraut; musikalische Märchen | | 1927 | Wilhelm Matthiessen | | | | | |
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Die klassiker der deutschen musik | | 1924 | Walther Nohl | | | | | |
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Die krönungsoper | | 1935 | Hans Watzlik | | | | | |
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Die kunst der improvisation: die technischen grundlagen zum stilgerechten, künstlerischen improvisieren nach den grundprinzipien des klaviersatzes, unter besonderer berücksichtigung des volksliedes | | 1925 | Gerhard F. Wehle | | | | | |
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Die Lehre von den Tonempfindungen: als physiologische Grundlage für die Theorie der Musik : mit dem Bildnis des Verfassers und 66 Abbildungen | 6. Ausg. | 1913 | Hermann von Helmholtz | | | | | |
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Die Lieder der Heimat | | 1926 | Arthur Hübner | | | | | |
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Die metalogik: die musikalische logik, geometrie der empfindungen | | 1919 | Walter Harburger | | | | | |
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Die musik im dritten reich: kulturpolitische reden und aufsätze | | 1935 | Peter Raabe | | | | | |
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Die musik seit Richard Wagner | 1 bis 4. aufl. | 1913 | Walter Niemann | | | | | |
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Die musikalische Gemütsbewegung: Erlebnisse, Erkenntnisse, Bekenntnisse | | 1935 | Max Bukofzer | | | | | |
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Die Passion des Johann Sebastian Bach: eine kleine Erzählung | | 1935 | Margarete Jähne | | | | | |
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Die seele des musikers: zur philosophie der musikgeschichte | 2. unveränderte aufl. | 1922 | Franz Spemann | | | | | |
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Die sprachlaute: experimentell-phonetische untersuchungen nebst einem anhang über instrumentalklänge | | 1926 | Carl Stumpf | | | | | |
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Die stimmliche erziehung des chores | | 1936 | Paul Neumann | | | | | |
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Die Tonschriften | | 1924 | Johannes Wolf | | | | | |
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Die verborgene symphonie: der Roman eines deutschen Musikers | | 1936 | Hans Joachim Moser | | | | | |
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The dilemma of American music | | 1928 | Daniel Gregory Mason | | | | | |
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The director of school music | | 1949 | John Paul Jones | | | | | |
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Discoveries of a music critic | | 1936 | Paul Rosenfeld | | | | | |
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Discovering music | | 1934 | W. R. (William Robert) Anderson, Edwin John Stringham, Howard D. (Howard Decker) McKinney | | | | | |
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Discovering music: a course in music appreciation | | 1944 | W. R. (William Robert) Anderson, Howard D. (Howard Decker) McKinney | | | | | |
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Discussion: Is instrumental music in Christian worship scriptural? | | 1927 | Henry Lee Boles, Merrel Dare Clubb | | | | | |
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Disques; répertoire critique du phonographe | | 1929 | Charles Wolff | | | | | |
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The doctor prescribes music: the influence of music on health and personality | | 1939 | Edward Podolsky | | | | | |
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The Dollar Magazine | | 1842 | Nathaniel Parker Willis, H. Hastings (Horatio Hastings) Weld | | | | | |
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Drawn from the wood: consolations in words & music for pious friends and drunken companions, collected from curious sources by Frank Shay | | 1929 | John Held, Helen Ramsey | | | | | |
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Drei Frauen um Chopin: Roman | | 1935 | Hermann Richter | | | | | |
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Drums, tomtoms and rattles: primitive percussion instruments for modern use | | 1938 | Bernard Sterling Mason | | | | | |
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Du chant | | 1920 | Reynaldo Hahn | | | | | |
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Éducation et rééducation de la voix chantée | | 1931 | Suzanne (Deplanck) de Parrel, Gérard de Parrel | | | | | |
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Ear-training and sight-singing applied to elementary musical theory, a practical and coördinated course for schools and private study | | 1921 | George A. (George Anson) Wedge | | | | | |
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Ears to hear, a guide for music lovers | | 1925 | Daniel Gregory Mason | | | | | |
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Easy games for the tinies | | 1915 | Adèle Milligan Allmann | | | | | |
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Ecce homo: and The birth of tragedy | | 1927 | Clifton Fadiman, Friedrich Wilhelm Nietzsche | | | | | |
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Education for musical growth | | 1948 | James L. (James Lockhart) Mursell | | | | | |
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The effects of music upon pulse rate blood-pressure and mental imagery | | 1933 | Alec Washco | | | | | |
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Einführung in die musik | | 1926 | August Halm | | | | | |
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Elementarer music lerer: Elementary theory of music | | 1928 | Me, Meyer Posner | | | | | |
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Elementarlehre der musik | | 1927 | Fritz Jöde | | | | | |
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Elementary ear-training | | 1928 | Frederick G. (Frederick George) Shinn | | | | | |
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Elementary harmony | | 1948 | William J. (William John) Mitchell | | | | | |
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Elementary harmony: theory and practice | | 1961 | Robert W. Ottman | | | | | |
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Elementary music education | | 1939 | Frances Wright | | | | | |
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Elementary theory and harmony for junior and senior high schools | | 1946 | Lowell Mason Tilson | | | | | |
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Elements of the theory of music | | 1921 | Herbert J., Herbert James Wrightson | | | | | |
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The Elsmith laboratory school of music | | 1929 | | | | | | |
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Emergent voice | | 1947 | Kenneth N. (Kenneth Neville) Westerman | | | | | |
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Encyclopédie de la musique et dictionnaire du Conservatoire | | 1913 | Lionel de La Laurencie, Albert Lavignac | | | | | |
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English diction: A practical system for the improvement of defective voices, and the attainment of perfect diction in both speech and song | | 1915 | Clara Kathleen Barnett Rogers | | | | | |
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The enjoyment of music | | 1921 | Arthur Wermald Pollitt | | | | | |
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Ernest Fowles: a memoir | | 1933 | Helen M. Fowles, Ernest Fowles | | | | | |
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Eroica: a novel based on the life of Ludwig van Beethoven | | 1930 | Samuel Chotzinoff | | | | | |
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Essentials in music history | | 1914 | Percv Goetschins, Thomas Tapper, Percy Goetschius | | | | | |
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Eurhythmics, art and education | | 1930 | Frederick Rothwell, Cynthia Cox, Émile Jaques-Dalcroze | | | | | |
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The eurhythmics of Jaques-Dalcroze; | | 1912 | Émile Jaques-Dalcroze | | | | | |
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The eurhythmics of Jaques-Dalcroze; | | 1918 | Émile Jaques-Dalcroze | | | | | |
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Eurythmie als sichtbare sprache | | 1927 | Rudolf Steiner, Marie Steiner | | | | | |
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Eurythmie als sichtbarer Gesang: ein Vortragscyklus | | 1927 | Rudolf Steiner, Marie Steiner | | | | | |
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Evenings in the orchestra | | 1929 | Hector Berlioz, Ernest Newman, E. Newman | | | | | |
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Evenings with music | | 1944 | Syd Cohen Skolsky | | | | | |
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Everybody's guide to broadcast music: including a simple description of the various forms of music, and of the orchestra, a short account of the history of music, some advice on the enjoyment of broadcast opera (with a list of published libretti, etc.), and a discussion of what constitutes good musical performance | | 1925 | Percy Alfred Scholes, J. C. W. Reith | | | | | |
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Everybody's guide to radio music: including a simple description of the various forms of music, and of the orchestra, a short account of the history of music, some advice on the enjoyment of radio opera (with a list of published libretti, etc.), and a discussion of what constitutes good music and good musical performance | | 1926 | Percy Alfred Scholes, Dr. Alfred N. Goldsmith | | | | | |
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The evolution of the art of music: by C. Hubert H. Parry | | 1930 | C. Hubert H. (Charles Hubert Hastings) Parry, H. C. (Henry Cope) Colles | | | | | |
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The evolution of the six-four chord: a chapter in the history of dissonance treatment | | 1933 | Glen Haydon, Albert I. Elkus | | | | | |
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An experimental study of composer-preferences of four outstanding symphony orchestras | | 1933 | Emil Ernst Erich Folgmann | | | | | |
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An experimental study of the perceptibility and spacing of music symbols | | 1939 | Lorin Farrar Wheelwright | | | | | |
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Expression in singing: a practical study of means and ends | | 1916 | Henry Stuart Kirkland | | | | | |
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Führer durch den Konzertsaal | | 1932 | Hermann Kretzschmar | | | | | |
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Führer und probleme der neuen musik | | 1924 | Ernst Bücken | | | | | |
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Face to face ith great musicians | | 1921 | Charles David Isaacson, Dr. Frank Crane, Frank La Forge | | | | | |
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Faint harmony | | 1934 | Vivian Ellis | | | | | |
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Faint harmony | | 1934 | Vivian Ellis | | | | | |
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Fair play: Sport spiel und Geist in England | | 1927 | Rudolf Kircher | | | | | |
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Faust en France et autres études | | 1929 | Pierre Lasserre | | | | | |
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Festfolge | | 1936 | William Scott | | | | | |
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Festivals and plays in schools and elsewhere | | 1912 | Percival Chubb | | | | | |
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Feuerzauber: ein Lebens-Roman Richard Wagners | | 1932 | Max. Kronberg | | | | | |
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Film music: a summary of the characteristic features of its history, aesthetics, technique; and possible developments | | 1936 | Constant Lambert, Eric S. Bensinger, Kurt London | | | | | |
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Finale in Venedig: ein Richard Wagner Roman | | 1933 | Gustav Renker | | | | | |
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The first [-third] book of the great musicians: a course in appreciation for young readers | | 1931 | Percy Alfred Scholes, Will Earhart | | | | | |
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The first book of the great musicians; a course in appreciation for young readers | | 1928 | Percy Alfred Scholes | | | | | |
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First series of four essays on the experiential psychology of reproductive music | | 1908 | Karl Feininger | | | | | |
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First year analysis (musical form) | | 1935 | Thomas Tapper | | | | | |
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First year analysis (musical form) | | 1914 | Thomas Tapper | | | | | |
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