| Title | Edition | Year of Publication | Contributors | Country of Publication | Possible Copyright Status | Available Online? |
|---|
 |  |  | 
|
|---|
| The A-B-C of æsthetics | | 1927 | Leo Stein | |  | |  | |
|
| AEsthetic analysis | | 1936 | David Wight Prall | | |  | | |
|
| The Aesthetic and Miscellaneous Works of Friedrich von Schlegel: Comprising Letters on Christian Art; An Essay on Gothic Architecture; Remarks on the Romance-Poetry of the Middle Ages and on Shakspere; On the Limits of the Beautiful; On the Language and Wisdom of the Indians | | 1860 | E. J. Millington, Friedrich von Schlegel | | | | | | 
|
| The aesthetic attitude | | 1920 | Herbert Sidney Langfeld | | | | | |   
|
| The aesthetic experience | | 1924 | Laurence Buermeyer | | | | | |
|
| Aesthetic judgment | | 1929 | David Wight Prall | | | | | |
|
| Aesthetic measure | | 1933 | George David Birkhoff | | | | | |
|
| The aesthetic motif from Thales to Plato | | 1921 | Sister M[ary] Basiline | | | | | |
|
| Aesthetic motive | | 1939 | Elisabeth Wintersteen Schneider | | | | | |
|
| The aesthetic response | | 1934 | Milton C. (Milton Charles) Nahm | | | | | |
|
| The aesthetic sentiment | | 1941 | Helge Lundholm | | | | | |
|
| Aesthetics: a critical theory of art | | 1919 | Henry G. Hartman | | | | | |
|
| Aesthetics and history in the visual arts | | 1948 | Bernard Berenson | | | | | |
|
| The aesthetics of Stephane Mallarmé | | 1933 | Hasye Cooperman | | | | | |
|
| Aesthetics of the novel | | 1928 | Van Meter Ames | | | | | |
|
| American taste | | 1929 | Lewis Mumford | | | | | |
|
| The analysis of art | | 1926 | De Witt H. (De Witt Henry) Parker | | | | | |
|
| The anatomy of art: an introduction to the problems of art and aesthetics | | 1932 | Herbert Read | | | | | |
|
| Ancient art and ritual | | 1913 | Jane Ellen Harrison | | | | | |
|
| Ancient art and ritual | | 1913 | Jane Ellen Harrison | | | | | |
|
| The architecture of vision: or the theory of composition in plane-surface design | | 1947 | Daniel R. Butterly | | | | | |
|
| Aristotle's theory of poetry and fine art | | 1932 | S. H. (Samuel Henry) Butcher | | | | | |
|
| Art and beauty | | 1932 | Max Schoen | | | | | |
|
| Art and education | | 1929 | John Dewey, Albert C. (Albert Coombs) Barnes | | | | | |
|
| Art and nature appreciation | | 1932 | George Howard Opdyke, Everett Victor Meeks | | | |  | |
|
| Art and people | | 1934 | Lockie Parker | | | | | |
|
| Art and reality | | 1942 | Fred O. (Fred Otto) Nolte | | | | | |
|
| Art and reality: an essay in the philosophy o8 aesthetics | | 1929 | Greville Cooke, J. B. McEwen | | | | | |
|
| Art and society: a reinterpretation of Plato | | 1951 | Catherine Rau | | | | | |
|
| Art and technics | | 1952 | Lewis Mumford | | | | | |
|
| Art and the human enterprise | | 1958 | Iredell Jenkins | | | | | |
|
| Art and the intellect | | 1960 | Harold Taylor | | | | | |
|
| Art and the worth-while | | 1929 | Charles Johnston, Edith Wyatt, Robert Morss Lovett | | | | | |
|
| Art debunked | | 1936 | Herbert Furst | | | | | |
|
| Art for art's sake | | 1936 | Albert Léon Guérard | | | | | |
|
| Art in education and life | | 1914 | Henry Davies, George Trumbull Ladd | | | | | |
|
| Art in the light of mystery wisdom | | 1935 | Rudolf Steiner, Marie Steiner, Shirley Mark Kerr Gandell | | | | | |
|
| Art now | | 1933 | Herbert Read | | | | | |
|
| Art reconstructed: a new theory of aesthetics | | 1937 | Theodore L. Shaw | | | | | |
|
| Art's place in education | | 1937 | Henry Rankin Poore | | | | | |
|
| Art, the critics, and you | | 1944 | Curt John Ducasse | | | | | |
|
| The artist as creator | | 1956 | Milton C. (Milton Charles) Nahm | | | | | |
|
| Artistic ideals | | 1927 | Daniel Gregory Mason | | | | | |
|
| Artists and thinkers | | 1916 | Louis William Flaccus | | | | | |
|
| Bau und leben der bildenden kunst | | 1914 | Theodor Volbehr |  | | | | |
|
| Beauty: an interpretation of art and the imaginative life | | 1930 | Helen Huss Parkhurst | | | | | |
|
| Beauty and human nature: elements of psychological aesthetics | | 1934 | Albert Richard Chandler | | | | | |
|
| Beauty in Japan | | 1935 | Samuel Hayman Wainwright | | | | | |
|
| Benedetto Croce: an introduction to his philosophy | | 1922 | Raffaello Piccoli | | | | | |
|
| Betrachtungen über kunst | | 1926 | Richard Dehmel, Ida Dehmel |  | | | | |
|
| A bibliography of aesthetics and of the philosophy of the fine arts from 1900 to 1932 | | 1934 | William A. (William Alexander) Hammond | | | | | |
|
| Cléanthis: ou, Du beau et de l'actuel | | 1928 | Julien Benda |  | | | | |
|
| The commonwealth of art: a lecture delivered in the Whittall Pavilion of the Library of Congress, April 25, 1949 | | 1950 | Curt Sachs | | | | | |
|
| Concerning beauty | | 1935 | Frank Jewett Mather | | | | | |
|
| Creative mind | | 1930 | C. (Charles) Spearman | | | | | |
|
| The creative will | | 1916 | Willard Huntington Wright | | | | | |
|
| A critical analysis of current concepts of art in American higher education | | 1958 | Mary Jeanne File | | | | | |
|
| The cult of beauty in Charles Baudelaire | | 1929 | Solomon Alhadef Rhodes | | | | | |
|
| Cycles of taste | | 1928 | Frank P. (Frank Pentland) Chambers | | | | | |
|
| Der Mensch als Symbol: unmassgebliche Meinungen über Sprache und Kunst | | 1933 | Georg Groddeck | | | | | |
|
| Developing appreciation through teaching literature | | 1929 | Angela Marie Broening | | | | | |
|
| Dialogues from Delphi | | 1949 | Jacob Loewenberg | | | | | |
|
| Die drei sünden wider die schönheit | | 1918 | Henry van de Velde |  | | | | |
|
| Die Grenzen der Künste | | 1925 | Ernst Roth | | | | | |
|
| Die italienische schönheit: mit 118 abbildungen | | 1913 | Arthur Moeller van den Bruck | | | | | |
|
| Die künsler und die erfüllung der mysterien | | 1928 | Albert Steffen | | | | | |
|
| Die technik in der krise unserer zeit | | 1933 | Arthur Mendt | | | | | |
|
| Du juste milieu: traité général de philosophie et d'art | | 1910 | Georges de. Tollemonde | | | | | |
|
| Dynamics of art | | 1953 | Andrew Paul Ushenko | | | | | |
|
| Ecce homo: and The birth of tragedy | | 1927 | Clifton Fadiman, Friedrich Wilhelm Nietzsche |  | | | | |
|
| Einführung in die Philosophie der Kunst | | 1934 | Heinrich Lützeler | | | | | |
|
| Elementargesetze der bildenden Kunst: Grundlagen einer praktischen Ästhetik | 2., verm. Aufl., | 1911 | Hans Cornelius | | | | | |
|
| The enjoyment of art | | 1903 | Carleton Eldredge Noyes | | | | | |
|
| An enquiry concerning the principles of taste: and of the origin of our ideas of beauty, etc. (1785) | | 1951 | Frances Reynolds | | | | | |
|
| Entretiens sur la beauté | | 1927 | Adolphe Boschot | | | | | |
|
| Entwicklungsgeschichte der modernen Kunst | 2. umgearb. und ergänzte aufl. | 1914 | | | | | | |
|
| Essai de théorie intégrale de la peinture: la doctrine | | 1932 | Étienne Buffet | | | | | |
|
| Estética; | | 1935 | Félicien Challaye, Emilio Huidobro, Edith Tech de Huidobro |  | | | | |
|
| The esthetic basis of Greek art of the fifth and fourth centuries B.C | | 1921 | Rhys Carpenter | | | | | |
|
| The esthetic basis of Greek art of the fifth and fourth centuries B. C. | | 1959 | Rhys Carpenter | | | | | |
|
| Experience and art | | 1932 | Joseph Wood Krutch, K. Haas | | | | | |
|
| Experiencing pictures through analysis of ancient and modern works and through practice of the procedures which make those works effective | | 1932 | Ralph M. Pearson | | | | | |
|
| Florentinische Introduktion zu einer Philosophie der Architektur und der bildenden Künste | | 1912 | Leopold Ziegler | | | | | |
|
| Formen der Kunsterkenntnis: Mit einem vorwort von Max Scheler. Mit einem titelbild und 9 tafeln | | 1924 | Heinrich Lützeler | | | | | |
|
| Fragments of life, metaphysics and art | | 1953 | Léo. Bronstein | | | | | |
|
| Fundamentals in education, art and civics: essays and addresses | | 1911 | George Lansing Raymond | | | | | |
|
| The gate of appreciation: studies in the relation of art to life | | 1907 | Carleton Eldredge Noyes | | | | | |
|
| Geheimnis des kunstwerks | | 1932 | Ferdinand Lion | | | | | |
|
| Geheimnis und offenbarung der schönheit | | 1912 | Karl L. Swoboda | | | | | |
|
| The gospel of beauty | | 1922 | Samuel Judson Porter, Rev. L. R. Scarborough | | | | | |
|
| Grundlegung der allgemeinen Kunstwissenschaft | | 1914 | Emil Utitz | | | | | |
|
| A guide to aesthetics | | 1937 | Aram. Torossian | | | | | |
|
| Hélène, Faust et nous: précis d'esthétique cérébriste | | 1920 | Ricciotto Canudo | | | | | |
|
| Happy homes in foreign lands | | 1922 | Alice A. Methley, Paul Westheim, Clive Bell | | | | | |
|
| The heart through art: a study of the emotions | | 1934 | George William Gerwig | | | | | |
|
| The heaven of invention | | 1962 | George Boas | | | | | |
|
| The history of taste: an account of the revolutions of art criticism and theory in Europe | | 1932 | Frank P. (Frank Pentland) Chambers | | | | | |
|
| The horizon of experience: a philosophy for the modern man | | 1934 | Cecil Delisle Burns | | | | | |
|
| The horizon of experience: a study of the modern mind | | 1933 | Cecil Delisle Burns | | | | | |
|
| Idylls of the beautiful | | 1908 | J. Morriston Thomas | | | | | |
|
| Indecency and the seven arts: and other adventures of a pragmatist in aesthetics | | 1930 | Horace Meyer Kallen | | | | | |
|
| The influence of familiarity upon children's preferences for pictures and poems | | 1933 | James E. (James Edgar) Mendenhall, Marcia Ethelwyn Mendenhall | | | | | |
|
| Introduction a une Esthétique Scientifique | | 1885 | Charles Henry | | | | | |
|
| Introduction à l'esthétique: les méthodes de l'esthétique, beauté naturelle et beauté artistique, l'impressionnisme et le dogmatisme | | 1912 | Chrles Lalo | | | | | |
|
| Kunst | | 1922 | Paul Westheim, Clive Bell | | | | | |
|
| Kunst og liv | | 1927 | greve. Eigil Knuth | | | | | |
|
| Kunstanschauung der jüngeren romantik | | 1934 | | | | | | |
|
| L'art et l'histoire | | 1922 | Paul. Lorquet | | | | | |
|
| L'art et la beauté | | 1929 | Félicien Challaye | | | | | |
|
| L'Art et le Geste | | 1910 | Jean d' Udine | | | | | |
|
| L'esthétique du sentiment | | 1927 | Joseph Louis Paul Segond | | | | | |
|
| L'expression de la vie dans l'art | | 1933 | Charles Lalo | | | | | |
|
| Le procès de l'art | | 1929 | Stanislas Fumet | | | | | |
|
| Les matinées du hêtre rouge | | 1929 | Frédéric Lefèvre | | | | | |
|
| The meaning of art | | 1930 | Amos Philip McMahon | | | | | |
|
| Measurement of appreciation in poetry, prose, and art: and studies in appreciation | | 1929 | Robert Kenneth Speer | | | | | |
|
| The message of Asia | | 1934 | Paul Cohen-Portheim, Alan Harris | | | | | |
|
| The message of Asia | | 1934 | Paul Cohen-Portheim, Alan Harris | | | | | |
|
| A modern book of esthetics: an anthology | | 1935 | Melvin Miller Rader | | | | | |
|
| Music and meaning | | 1932 | Elizabeth Robinson Woods | | | | | |
|
| The nature of representation: a phenomenological inquiry | | 1961 | Richard Bernheimer | | | | | |
|
| The need for art in life: a lecture delivered at the University of Manchester | | 1915 | | | | | | |
|
| The new criticism: an anthology of modern aesthetics and literary criticism | | 1930 | Edwin Berry Burgum | | | | | |
|
| Nine basic arts | | 1961 | Paul Weiss | | | | | |
|
| Oh! fickle taste; or, Objectivity in art | | 1952 | Germain Seligman | | | | | |
|
| Orpheus: Philosophie der Kunst und Kunsterziehung | | 1925 | Lothar von Kunowski | | | | | |
|
| Personalistische ästhetik | | 1932 | Friedrich Kainz | | | | | |
|
| Philosophy and æsthetics of speech | | 1935 | Emil Froeschels, Joseph Noyes Haskell | | | | | |
|
| The philosophy of art | | 1929 | Curt John Ducasse | | | | | |
|
| The philosophy of art: the meaning and relations of sculpture, painting, poetry and music | | 1913 | Edward Howard Griggs | | | | | |
|
| Philosophy of art | | 1963 | Virgil C. Aldrich | | | | | |
|
| Platon et l'art de son temps: (arts plastiques) | | 1933 | Pierre Maxime Schuhl | | | | | |
|
| Poetic values: their reality and our need of them | | 1925 | John Gneisenau Neihardt | | | | | |
|
| A primer for critics | | 1937 | George Boas | | | | | |
|
| A primer of aesthetics: logical approaches to a philosophy of art | | 1930 | Louis Grudin | | | | | |
|
| The principles of aesthetics | | 1920 | De Witt H. (De Witt Henry) Parker | | | | | |
|
| Proudhon, Marx, Picasso: trois études sur la sociologie de l'art | | 1933 | Max Raphael | | | | | |
|
| Representation and form: a study of æsthetic values in representational art | | 1936 | Walter Abell | | | | | |
|
| Ressuscitons!: Essai de philosophie et d'art | | 1920 | Marc Saunier | | | | | |
|
| The revolt against beauty: the source and genesis of modernistic art | | 1934 | John Hemming Fry | | | | | |
|
| The rhythm book: a manual for teachers of children | | 1936 | Elizabeth Waterman, Martha Elizabeth Ream | | | | | |
|
| Schönheit der technik | | 1928 | Franz Kollmann | | | | | |
|
| Schönheit und magie: ein versuch | | 1932 | Siegfried Behn | | | | | |
|
| Scientific method in æsthetics | | 1928 | Thomas Munro | | | | | |
|
| The significance of art: studies in analytical esthetics | | 1913 | Eleanor Harris Rowland | | | | | |
|
| Some general canons of literary criticism determined from an analysis of art | | 1936 | Paul Francis Speckbaugh | | | | | |
|
| Spires of form: a study of Emerson's aesthetic theory | | 1951 | Vivian Constance Hopkins | | | | | |
|
| The spirit and substance of art | | 1926 | Louis William Flaccus, Paul Krummeich | | | | | |
|
| The splendid wayfaring | | 1930 | Haldane Macfall, Frank Brangwyn | | | | | |
|
| Æsthetic education | | 1913 | Charles De Garmo | | | | | |
|
| Ästhetik | | 1911 | Richard Hamann | | | | | |
|
| Æsthetisk opleven og kunstnerisk skaben | | 1927 | Victor Kuhr |  | | | | |
|
| Studies in appreciation of art. | | 1934 | Ralph Waldo Leighton, John Henry Mueller, N. B. (Nowland Brittin) Zane | | | | | |
|
| Studies in recent aesthetic | | 1927 | Katherine Everett Gilbert | | | | | |
|
| Studies in the genesis of romantic theory in the eighteenth century | | 1962 | John George Robertson | | | | | |
|
| A study in aesthetics | | 1932 | Milton Hawkins Bird | | | | | |
|
| The sudden rose: an essay on the unity of art | | 1939 | Blanche Mary Kelly | | | | | |
|
| Système des beaux-arts | Éd. nouv. | 1926 | Émile Chartier | | | | | |
|
| Système des beaux-arts: rédigé pour les artistes en vue d'abréger leurs réflexions préliminaires | Éd. originale. | 1920 | Alain | | | | | |
|
| The theory of altoform | | 1945 | Adam A. (Adam Achad) Sanders | | | | | |
|
| Tides in English taste (1619-1800): a background for the study of literature | | 1937 | B. Sprague (Beverly Sprague) Allen | | | | | |
|
| The transformation of nature in art | | 1934 | Ananda K. (Ananda Kentish) Coomaraswamy | | | | | |
|
| The true: the good, and the beautiful | | 1948 | De Witt H. (De Witt Henry) Parker | | | | | |
|
| Vers la beauté | | 1927 | Athanase Chabot | | | | | |
|
| ...Verwandlung der erde | | 1925 | Ernst Wagner | | | | | |
|
| The Victorian morality of art: an analysis of Ruskin's esthetic, by Henry Ladd | | 1932 | Henry Ladd | | | | | |
|
| Volontés de l'art moderne | | 1927 | Jean. Goudal | | | | | |
|
| Vom geschmack | | 1928 | Willem van. Vloten | | | | | |
|
| War on critics | | 1952 | Theodore L Shaw | | | | | |
|
| Wilhelm von Humboldts Ästhetik als Versuch einer Neubegründung der Sozialwissenschaft | | 1933 | Gustav von Stryk | | | | | |
|
| With eyes of the past | | 1928 | Henry Ladd | | | | | |
|
| World of art | | 1936 | Eugen Neuhaus | | | | | |
|
| The world of art | | 1961 | Paul Weiss | | | | | |
|
| The world, the arts and the artist | | 1928 | Irwin Edman | | | | | |
|
| The yes and no of contemporary art, an artist's evaluation | | 1957 | George Biddle | | | | | |
|
| Zarathustra, jr., speaks of art | | 1934 | Louis Danz, Merle Armitage | | | | | |
|
Public Domain Books